When We All Get Together
Words: Square Rootz • Nov 20th, 2008 • Category: SUBSTANCE.A New Generation Breathes New Life into an Old Photo
In 1958, Esquire’s art director, Robert Benton, wanted the magazine to capture the golden era of jazz. He proposed that the January 1959 edition of the publication be an all-jazz issue and the magazine take a chance and hire Art Kane, a young photographer who had yet to take his first professional photograph, to do the job. It was Kane’s idea to do an enormous picture of all the jazz players they could convince to participate.
On a summer day that year, lacking studio space and knowing that ten in the morning was far too early for most musicians, Kane nervously waited to see what the photo’s turnout would be. Unexpectedly, 57 of jazz’s greatest musicians, including Thelonious Monk, Marie Lou Williams, Count Basie, Lester Young, Marian McPartland and Dizzy Gillespie, gathered on a 126th street stoop in Harlem to be photographed.
While photos of legends are taken all the time, Harlem 1958 is significant because it captured the spirit of a community — a community of folks who had formed a kinship based on music and were inspired by what they individually brought to the collective.
Fifty years later, on June 22, 2008 , over 100 artists, DJs, actors and entrepreneurs who have influenced the Brooklyn community stood on the steps of Fort Greene Park and took a similar snapshot. The project was birthed by Brooklyn-based, KalaLea, whose skill as a certified yoga teacher, photographer, whole foods chef, multimedia producer and restaurant owner has definitely enriched her experience in the New York borough and caused many extraordinary people to cross her path.
After returning from Brazil, in January of 2008, KalaLea decided to remain co-owner of Brooklyn’s Smooch Café but leave the day-to-day operations. Without being at the café everyday, she began missing her usual daily interactions with her neighbors. Two years ago, KalaLea began making journal entries of various people that invited her to events and keeping notes of the artists she had met in the Fort Greene community. “[I was] looking at a notebook and writing things down, and had been thinking about sharing with different friends how amazing these people are,” reminisces the Jill of many trades.
Last winter, KalaLea decided she wanted to document her experience of living in Fort Greene into a piece of art. “I want[ed] to capture the last amazing nine years of my life. [I could] invite all the people who have inspired me, all of the artists and creative beings that have had an impact on my growth here in the community to one central location,” says the Pittsburg native who believes that art driven communities form more quickly than other communities because artists are drawn to one another for inspiration.
The concept was formulated in February, and went from being dubbed “A Great Day in Brooklyn” to “Everyday Brooklyn” because KalaLea wanted to emphasize that on an everyday basis people are doing amazing things. Keeping the theme of community, she also decided to recruit her talented group of friends: photo agent, Stephanie Baptist, actor, screenwriter, and producer Yana Billlé and freelance art buyer and producer Hosanna Marshall to help her produce the massive endeavor. “When she asked me if I would like to be a part of the project, I said yes immediately,” remembers Baptist. “The timing was perfect to create a project of such magnitude.”
Planning for a project of this magnitude took months and many hours of meetings. “There were various stages of production. In the early days, we spent a lot of time researching contacts for the artists, creating the logo and sending out invitations,” recalls Baptist. “Then we began to assemble possible crew members that would be able to lend their assistance to the project.” The producers reached out to Brooklyn-based writers, photographers, cameramen, graphic designers, a web developer, interview personalities, editors and production assistants to join the team. Brooklyn Council Member, Letitia James, took action to help KalaLea and crew obtain a permit to photograph in the historic Fort Greene Park and Brooklyn Art Incubator stepped up to be their fiscal sponsor. Other sponsors include Rush Philanthropic Arts Foundation, Addy & Ferro, Brownstone Books, Habana Outpost and PETA.
The photograph is a celebration of life, creativity and community, says KalaLea, “I hope that the people in this project realize that they are celebrities in my eye, far more inspiring than any Britney Spears or Kanyé West. I really hope that this creates a domino effect, and that other people document the folks in their neighborhood - whether it’s 10 people or 50 people.”
In two years, KalaLea would like to complete a documentary about the art community in Fort Greene and ask questions that speaks to the notion of the neighborhood being an utopia and what this means for a community that is constantly changing. Also, with the closing of the Everyday Brooklyn exhibition at Museum of Contemporary African Diasporan Arts (MoCADA), the ultimate goal is to share Brooklyn-like experiences all over the world, including Amsterdam, London, Cape Town, Chicago, Los Angeles, Tel Aviv, Salvador and Barcelona by 2012
“We decided to produce a traveling exhibition because we think other people around the world are interested what we’re doing in Brooklyn,” shares KalaLea. “Brooklyn is like its own little country,”
A sample of a few of the artists photographed:
Learn more about Everyday Brooklyn and post your own great day in Brooklyn on the website blog: www.everydaybrooklyn.com.
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